Something similar can be observed in Primer. The main characters, Aaron and Abe, seem carefree at first when they realize they have discovered time travel. They only see the positives and are quick to abuse the positives. It seems that only Abe is interested in precautions. The precautions don't matter and as most of the films close up shots show, the characters are constantly processing the actions of the future, past, and present simultaneously. Perhaps the early warning signs throughout the film could have stopped some of the negative aspects of time travel from arriving.
I'm not sure if the director, Shane Carruth is sending a message about technology itself. The film does seem to point in that direction however, and as we clearly see, often the technology moves past its creators and forces them into a mad chase over control. The message is fortified by the fact that the film is set in a timeless space. We don't know when the events take place on the timeline of the world. That doesn't seem to be the point. The point seems to be to watch out and take care to close all paths behind oneself when cornering a technological advance capable of literally bending time into one. Primer doesn't ignore this issue and clearly lays out the positives and negatives, the weight of which seems to be up to the viewer.
Great point connecting the film to the nature of scientific progress and how it often results in destructive weapons, regardless of intent. In a weird way, a time machine could be the ultimate weapon because you could pre-empt anything. Of course, only if there is one time machine in the world. Given that we have more than one nuke in the world, it seems unlikely that such a machine wouldn't be reproduced. Scary.
ReplyDeletePaprika touched on this with the DC mini, but of course the guy who DIDN'T like the technology was the villain, which suggests a different take on the abuse of technology (or perhaps the Kon wasn't willing to come down clearly on one side or the other).